METHODOLOGY FOR TEACHING MUSIC-THEORETICAL KNOWLEDGE IN MAQOM EDUCATION BASED ON MATHEMATICAL MODELING

Authors

Keywords:

maqom education, music-theoretical knowledge, mathematical modeling, rhythm, meter, note duration, rest, traditional singing, traditional performance, musical competence.

Abstract

 This article develops the pedagogical and methodological foundations for teaching 
music-theoretical knowledge in maqom education through mathematical modeling. The 
study analyzes the didactic potential of representing note and rest durations, rhythmic 
relationships, meter, and time signatures through fractions, ratios, and simple equations. 
A mathematical model is interpreted not as a substitute for the content of a musical 
concept but as a didactic tool that helps students visualize, calculate, hear, and connect 
theoretical concepts with practical performance. The study considers the characteristics 
of Grade 7–11 students’ preparation in maqom education, including 62 students 
specializing in “Traditional Singing” and 61 students specializing in “Traditional 
Performance,” for a total of 123 students. A methodological model based on the sequence 
“musical concept → mathematical model → musical notation → listening → practical 
performance → independent analysis” is proposed, with its stages, assessment criteria, 
and indicators defined. The methodology is aimed at ensuring the systematic acquisition 
of music-theoretical concepts, the analysis of rhythmic structures, and the integration of 
theoretical knowledge with performance practice. 

References

1. Ibrohimov O. A. Maqom asoslari. – Toshkent: Turon-Iqbol, 2018. – 160 b.

2. Matyoqubov O. Maqomot. – Toshkent: Musiqa nashriyoti, 2004. – 400 b.

3. Rajabov I. Maqomlar. – Toshkent: San’atshunoslik ilmiy-tadqiqot instituti, 2007.

4. Laitz S. G. The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening. – 3rd ed. –

New York: Oxford University Press, 2012.

5. Kostka S., Payne D., Almén B. Tonal Harmony: With an Introduction to Post-Tonal Music. – 8th ed. – New York:

McGraw-Hill Education, 2018.

6. London J. Hearing in Time: Psychological Aspects of Musical Meter. – Oxford: Oxford University Press, 2004.

7. Hasty C. Meter as Rhythm. – 20th Anniversary ed. – Oxford: Oxford University Press, 2020.

8. Blum W., Niss M. Applied Mathematical Problem Solving, Modelling, Applications, and Links to Other

Subjects—State, Trends and Issues in Mathematics Instruction // Educational Studies in Mathematics. – 1991. – Vol. 22,

No. 1. – P. 37–68.

9. Sloboda J. A. The Musical Mind: The Cognitive Psychology of Music. – Oxford: Oxford University Press, 1985.

10. McPherson G. E. (ed.). The Child as Musician: A Handbook of Musical Development. – Oxford: Oxford University

Press, 2006.

11. Swanwick K. Teaching Music Musically. – London: Routledge, 1999.

Downloads

Published

2026-09-05

Issue

Section

13.00.00 Pedagogical Sciences

How to Cite

METHODOLOGY FOR TEACHING MUSIC-THEORETICAL KNOWLEDGE IN MAQOM EDUCATION BASED ON MATHEMATICAL MODELING . (2026). Modern Scientific and Technical Research, 2(3), 406-411. https://ijcst.uz/index.php/journal/article/view/236